
CHICAGOACTORHEADSHOTS
Casting-ready headshots for film, TV, and theatre — theatrical and commercial looks, photographed in studio with a point of view.
Chicago actor headshots are casting-ready portraits for film, television, and theatre submissions — Actors Access, Casting Networks, agent packets, and printed 8x10s. The session fee is $500 and includes a directed shoot across theatrical and commercial types plus a private online gallery to review your images together; individual images are $250 each, fully retouched and licensed for unlimited promotional use. 312 Elements is led by photographer Michael Schacht, who has photographed 10,000+ people over 16 years, including working actors across Chicago's film, storefront theatre, musical theater, opera, and comedy scenes.
See pricing and book a session at actor headshot pricing and booking.
Headshots that match how casting actually sees you

How actor headshot sessions work
- 1
Look planning
A pre-session conversation about your type, the breakdowns you submit for, and what your agent or coach wants to see. Wardrobe guidance goes out ahead of the shoot — bring options in the colors you look best in, simple over loud, nothing that dates the image. Text me photos of what you're considering and I'll weigh in.
- 2
The session
Studio lighting tuned per look, with direction the entire time — no being left to guess what your face is doing. Images are reviewed on-screen during the session, so you walk out already knowing your selects are in the can.
- 3
Casting-ready delivery
Your private online gallery arrives within a week so we can review your images together. You choose the images you want at $250 each, and every image you purchase is fully retouched and delivered as web-sized versions matching Actors Access and Casting Networks upload specs, print-resolution 8x10 crops, and an unlimited promotional-use license (print and submit anywhere, no per-use fees).
What Chicago actors say
I'd never had headshots that were actually ready for professional submissions. Michael understood the current casting landscape for film and television specifically, which was immediately apparent in the session and in the final images. I booked two callbacks in the first month after submitting these.
Marcus J.
Actor
I needed someone who genuinely understands the difference between theatrical and film headshots and wouldn't push me toward a cinematic look when what I needed was something that reads clearly across a table. The images are exactly right for the regional and musical theatre auditions I focus on, and I've already had strong responses from rooms where I'd been invisible before.
Natalie W.
Equity Actor
My new agent was clear that my current headshots weren't right for where they intended to submit me. After a decade of professional work I know what I'm looking at, and the level of skill on display in this session is real. The images are exactly what my agent needed and I've already started seeing the difference in the submissions I'm being sent out on.
Veronica S.
Actor
Read more in our full collection of client reviews.
What's included, and what images cost
- A $500 session fee covering the directed shoot itself: theatrical and commercial looks planned against your actual submission targets
- A pre-session look-planning conversation built around the breakdowns you go out for
- A private online gallery, delivered within a week, to review your images and choose from together
- Images purchased individually at $250 each: fully retouched (honest retouching that keeps you looking like you on your best day) and licensed for unlimited promotional use, no per-use fees
- Every image you buy sized for Actors Access and Casting Networks, plus print-resolution 8x10 crops and agency submission packets
Casting / Character Types
Before we start your photoshoot, we need to understand your archetype(s). Your "type" dictates your headshot.
Leads / Romantic
Leading man / leading lady — The one carrying the movie. Charismatic enough that the audience roots for them without being told to.
Example: Jack Dawson in Titanic (1997), Leonardo DiCaprio.
Ingénue — Young, innocent, hasn't been hurt yet. The story usually exists to change that.
Example: Penny Lane in Almost Famous (2000), Kate Hudson.
Juvenile — The ingénue's male counterpart. Earnest, young, still figuring it out on camera.
Example: Peter Kavinsky in To All the Boys I've Loved Before (2018), Noah Centineo.
Girl-next-door / boy-next-door — Attractive the way real people are attractive. You don't notice it all at once.
Example: Tom in (500) Days of Summer (2009), Joseph Gordon-Levitt.
Bombshell / hunk — Cast because the camera can't look away. Everything else is a bonus.
Example: Barbie in Barbie (2023), Margot Robbie.
Love interest — Exists in orbit around a lead. The role is the relationship.
Example: Mary in There's Something About Mary (1998), Cameron Diaz.
Comedic
Comic relief — There to cut the tension before it gets heavy. The pressure valve of the cast.
Example: Korg in Thor: Ragnarok (2017), Taika Waititi.
Quirky best friend / sidekick — Funny, loyal, a little off. Supports the lead without ever competing for the spotlight.
Example: Abed Nadir in Community (2009–2015), Danny Pudi.
Goofball / buffoon — The fool the comedy runs through. Doesn't know he's the joke, which is the joke.
Example: Alan Garner in The Hangover (2009), Zach Galifianakis.
Straight man — The serious one. Every great comedy needs someone reacting like a normal person, or none of it lands.
Example: Ben Wyatt in Parks and Recreation (2009–2015), Adam Scott.
Wisecracker — Fast, sarcastic, always armed with the comeback. The wit is the weapon.
Example: Chandler Bing in Friends (1994–2004), Matthew Perry.
Antagonists
Heavy — The muscle. Menacing on sight, hired for presence, not plans.
Example: The Mountain (Gregor Clegane) in Game of Thrones (2014–2019), Hafþór Júlíus Björnsson.
Villain / antagonist — The reason the hero has a story. The best ones believe they're right.
Example: Thanos in Avengers: Infinity War (2018), Josh Brolin.
Femme fatale — Dangerous and knows it. Charm as a delivery system.
Example: Amy Dunne in Gone Girl (2014), Rosamund Pike.
Mean girl / queen bee — Rules the room through cruelty and exclusion. Power as a social weapon.
Example: Regina George in Mean Girls (2004), Rachel McAdams.
Bully — Intimidation as identity. Torments others because he can.
Example: Biff Tannen in Back to the Future (1985), Thomas F. Wilson.
Character / Supporting
Character actor — The face you know from everything. Cast for being memorable, not for being the lead.
Example: Saul Goodman across Breaking Bad / Better Call Saul (2008–2022), Bob Odenkirk.
Best friend / confidant — The one the lead actually talks to. Loyal, steady, and frequently the heart of the whole thing.
Example: Samwise Gamgee in The Lord of the Rings: The Return of the King (2003), Sean Astin.
Authority figures (cop, judge, doctor, teacher, boss, priest) — The role is the institution. Credibility you can read from across the room.
Example: Captain Raymond Holt in Brooklyn Nine-Nine (2013–2021), Andre Braugher.
Nerd / geek — Brainy, awkward, obsessive about something most people aren't. The brain arrives before the social skills.
Example: Brian Johnson in The Breakfast Club (1985), Anthony Michael Hall.
Everyman — Ordinary on purpose. The audience's stand-in.
Example: Jim Halpert in The Office (2005–2013), John Krasinski.
Tough / streetwise — Been through it, learned from it, carries it. You don't test them twice.
Example: Omar Little in The Wire (2002–2008), Michael K. Williams.
Tomboy — Traditionally boyish interests, dress, and energy. Usually the most capable person in the scene.
Example: Max Mayfield in Stranger Things (2017–2025), Sadie Sink.
Eccentric / oddball — Strange in a way the story needs. Sees things nobody else sees.
Example: Luna Lovegood in Harry Potter and the Order of the Phoenix (2007), Evanna Lynch.
Age / Family Bracket
Mom / dad types — Warmth, reliability, and the authority of someone who's packed a school lunch.
Example: Phil Dunphy in Modern Family (2009–2020), Ty Burrell.
Grandma / grandpa types — Wisdom, warmth, and a little folksy edge.
Example: Carl Fredricksen in Up (2009), voiced by Ed Asner.
Young professional — Polished, ambitious, building something. Twenty- or thirty-something with a plan.
Example: Rachel Zane in Suits (2011–2018), Meghan Markle.
Hipster — Urban, trend-aware, and studied about looking like they're not trying.
Example: Adam in Girls (2012–2017), Adam Driver.
Blue-collar / working-class — Practical, grounded, salt of the earth. Works with their hands and it shows.
Example: Daryl Dixon in The Walking Dead (2010–2022), Norman Reedus.
Built for working actors
- 16+ years
- photographing performers and professionals in Chicago
- 10,000+ people
- photographed — actors, singers, comedians, and the city's corporate ranks
- $500
- session fee, with individual images at $250 each
- 1 week
- delivery for your private online gallery, from the day of the shoot
Frequently asked questions about actor headshots
- What is an actor headshot?
- A casting-ready portrait built to do one job: tell casting who walks into the room. It's not a portrait for your wall — it's a working tool, sized for casting platforms and printed 8x10s, that reads your type at thumbnail size. Most working actors carry at least two: a theatrical look and a commercial look.
- What is a normal price for headshots?
- It's complicated — there's a photographer at every price point from $99 to well over $1,000, usually depending on how many final images you're buying. Honestly, it might be the wrong question. A headshot is one of the few purchases where the price tag tells you less than the booking rate. Here the model is simple: a $500 session fee covers the directed shoot and a private online gallery, and images are $250 each, fully retouched and licensed, so you buy exactly the ones you want.
- How many different headshots do I actually need?
- In the Chicago market, two: one true headshot, and a second shot that shows your body type clearly. Beyond that it depends entirely on your range — if you're going out for multiple archetypes, you'll want current shots that represent each of them. This is why the archetype conversation happens before the camera comes out.
- What is a "look" in headshot terms?
- A look is a complete visual statement — wardrobe, styling, lighting, and background working together to point at a casting direction. Change the look, change the story. A session is structured around looks rather than outfits, because swapping a shirt without changing the intent isn't a new look. It's the same look in a different shirt. There's no limit on looks in a session — most people naturally run out of steam around four, but that ceiling is yours, not mine.
- Should my headshot be in color or black and white?
- Color. Here's the history: black and white was the standard back when color printing was cost-prohibitive — that's the only reason it was the standard. The economics changed, and color became the convention. That said, some shots just work better in black and white, so anytime we shoot something that sings in B&W, you get the color version too.
- What not to wear for acting headshots?
- Skip anything shiny, bold prints, logos, and statement jewelry — anything the eye lands on before your face. Studs beat hoops; the best necklace is usually no necklace. Skip false eyelashes entirely. Otherwise, wear the colors you look best in and clothes that fit well — simple beats loud, and a black turtleneck or well-pressed dress shirt never misses. No fresh haircuts inside of two weeks.
- Can you smile in your acting headshot?
- Yes — your commercial headshot usually wants a genuine, open smile, while your theatrical look is typically more contained: engaged eyes, relaxed mouth, a reading of presence rather than performance. That's why working actors carry both frames.
- How long does a session take, and how many outfit changes should I bring?
- Plan on two to two and a half hours, with about 90 minutes of actual shooting — that's where most people's energy runs out, and energy shows up on camera. The first look takes the longest because you're warming up; everything after moves faster. Most people comfortably get through about four outfits, so bring more options than that and we'll choose the best ones together.
- How many final images will I receive, and how do I choose?
- Sessions are à la carte — you review everything on-screen before you leave, choose the images you love, and purchase only those. Most actors land somewhere between 4 and 10. You'll have my opinion on the strongest frames, but the final call is always yours, and people's picks surprise me all the time. That's how it should be.
- How soon will I receive my photos after the shoot?
- Retouched files arrive a week after you make your picks: web-sized versions matching Actors Access and Casting Networks upload specs, plus print-resolution 8x10 crops. If you need one shot fast, say so — that can happen at no extra charge.
- Can I bring reference images to my shoot?
- Please do. Text me images you like, build a Pinterest board, screenshot a magazine spread — the more prepared you arrive, the more productive the session. Some of my favorite shoots of all time started with someone else's mood board.
- How often should I update my headshots?
- Your headshot should look like you — that's the whole rule. For most actors that means every 18 to 24 months, sooner if you've changed your look. New haircut, new color, grew the beard, shaved the beard: casting needs to see the person who's showing up, so the shots follow the face.
- What are the most common headshot mistakes to avoid?
- The biggest one happens before the camera comes out: choosing a photographer you don't feel comfortable being vulnerable with. If you're not connecting with your photographer, it shows in every frame. After that: shots that no longer look like you, retouching that crosses the likeness line, and chasing trends that date the image inside a year.
- Do you offer free consultations?
- Yes — book a free consultation here. It's the easiest way to figure out whether we're the right fit before any money changes hands.
- What is the best headshot for actors?
- The one with the right expression. A headshot lives or dies by the expression — it's what reads your type, holds attention at thumbnail size, and tells casting who walks into the room. Everything else is supporting cast: sharp eyes, clean light, a background that doesn't compete, current hair, honest retouching. Strategically, you want a theatrical frame and a commercial frame, so every submission speaks the right visual language.
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Ready when you are
The session fee is $500 and covers theatrical and commercial looks plus a private online gallery; images are $250 each. Full pricing and session dates are one click away.
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